Kishan Bagh is a restoration project led by renowned environmentalist Pradip Krishen. The 30-acre, formerly-barren, desert land has been restored to a functional ecosystem that allows visitors to learn more about the natural habitat. These poster designs, commissioned in 2022, draw on the surrounding desert landscape and city - just as the park does. 

I illustrated the cover and inside pages of a book on mental health published by Scholastic India. The book was shortlisted for the Neev Literature Book Awards, in the Emerging Readers category. The Award for distinguished children’s literature aims to recognize outstanding books that lead to a fuller understanding of India, Indian lives, and Indian stories. 

I made a set of illustrations I made for the first part in Beyond the Classroom, a series of lectures hosted by Ashoka University. This set was for a lecture by Prof. Kranti Saran on 'Does Morality Require God?' While Prof. Saran explored the relationship between God and our ideas of morality, 

Illustrated a set of important reminders and 'self-care' tips which have continued to be shared and be useful across countries, not just India - long after they were created. The tips were written by theatre practitioner (and a really inspiring woman) Mallika Taneja and visualised by me.

The Rao Jodha Desert Rock Park (RJP) is a 72-hectare restoration project near the historic Mehrangarh Fort in Rajasthan, India. These posters and illustrations are for the vulture room situated within the RJP. They aim to draw attention to the declining vulture population in the city. 

Gender at Work is an international feminist organisation that works in partnership with activists and researchers to bring together new knowledge on inequality and discriminatory social norms. Their work spreads across several continents and ranges from on-ground workshops to research and organisational consultations. 

Women Walk At Midnight is a women’s collective that organizes midnight walks in different cities of our country. For them, what remains constant in all of these walks is the desire to interact with the city and the company of different women who make it a fun experience to walk during the night. They carry with themselves poetries of rebellion, songs of freedom and a sense of political assertion of their identities.

I started illustrating when during my first job, I was travelling a lot and felt the need to create more than I was. This led to me drawing on images on my phone, as I sat in a cab for three hours a day. So grateful for all that it led me to. Also, Alipore Post I'm very kind of enough to publish a series on their website of the phone-drawn images.